by Sara Sally LaGrand
Photography by Elizabeth Torgerson-Lamark
Eunsuh Choi came from Korea to the epicenter of glass in the New York area of the United States seeking a greater depth of knowledge in glass. Choi creates her art with a technique that uses 2 mm to 10 mm boro rods melted together to make strong images of ladders, stairs, and buildings utilizing a latticework structure.
This article was originally published on page 30 of the July/August 2020 issue of Glass Art.
