Functional Glass The Subconscious Self-Portrait of LaceFace

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by Shawn Waggoner

Photography by Alex Reyna

The modern masterpieces of Lacey St. George-Walton, aka LaceFace, exemplify the power and spirit of women while speaking volumes about the artist’s determination to succeed in the male dominated functional glass world. From her studio in Ashland, Oregon, she pushes the limitations of the medium while serving as a motivated community leader.

This article was originally published on page 14 of the January/February 2019 issue of Glass Art.



Last modified on Wednesday, 12 December 2018 16:36