Wednesday, 21 October 2009 00:00

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GlassArt May June2019Cover133x172GlassArt May June2019Cover163x211GlassArt May June2019Cover354x459

The July/August 2022 issue of Glass Art® is filled with profiles of exceptional glass artists plus tips for improving your own creations. Glass art pioneer Paul J. Stankard, who challenged the angle from which glass paperweights are viewed, has created a thoughtfully authentic artistic language. A look at the mosaic art of Connie Vetter-Johnson explores how she uses thousands of glass shards that flow almost seamlessly to create photorealistic portraits. Readers are also introduced to Sibylle Peretti, Austin Stern, Stine Bidstrup, and Yukiko Sugano, the Fall and Winter residency recipients at The Corning Museum of Glass. Murano flameworking artists Amy West, Davide Fuin, co-owners of the El Cocal all-female flameworking studio Marianna Oliboni and Chiara Lee Taiaro, Lucia Santini, and Mauro Vianello discuss how their studios have been affected by the European gas crisis, and Milon Townsend shares the benefits of using implosion and compression techniques when encasing glass sculptures with borosilicate. Rounding out this issue is news from the American Glass Guild on its upcoming 2022 Summer Conference at The Corning Museum of Glass and the Contemporary Glass Society’s latest exhibition partnership with the Craft Centre and Design Gallery in Leeds, UK. Subscribe today at www.GlassArtMagazine.com. Subscribe today at www.https://simplecirc.com/subscribe/glass-art 

 

GlassArt July August2019Cover133x172GlassArt July August2019Cover163x211GlassArt July August2019Cover354x459

The May/June 2022 issue of Glass Art® is filled with profiles of exceptional glass artists plus tips for improving your own glass art creations. Tim Rawlinson has discovered ways to pair the primary colors of his blown glass sculptural pieces with light to create secondary colors that are visible to viewers of his glass art. Our continuing column, Artist to Artist, offers thoughts from Joseph Ivacic, Kathleen Sheard, Claire Kelly, and Jen Elek on lessons they have learned from their years in glass. Chris Day uses his sculptural glasswork to help depict the history of what African slaves have experienced over the centuries. Bead artist Amy Lemaire creates her work in a fearless fashion as she explores the evolution of beads throughout history, and Milon Townsend shares the benefits of shaping glass with sandblasters and waterjets. Rounding out this issue is news from the International Society of Beadmakers on its upcoming 30th anniversary celebration, the Contemporary Glass Society’s exhibition at New Ashgate Gallery, the American Glass Guild’s 2022 Summer Conference at The Corning Museum of Glass, and the Stained Glass Association of America’s joint conference with its new partner, the Society of American Mosaic Artists. Subscribe today at www.GlassArtMagazine.com. Subscribe today at www.https://simplecirc.com/subscribe/glass-art 

 

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