by Bob Leatherbarrow
Bob Leatherbarrow discusses the various difficulties encountered by glass artists when trying to find a good slumping schedule. Techniques covered include the correct time, temperature, span of the glass pieces, thickness of the glass, and viscosity. The artist then offers a “low and slow” technique to help overcome problems with slumping.
This article was originally published on page 40 of the July/August 2017 issue of Glass Art.
