by Colleen Bryan
A computer worker without knowledge of glass techniques, possibilities, or limitations, Jed Malitz set himself on a long learning curve to develop his glass art sculptures. He has, however, initiated the patent process he calls Spatial Figuratism™. Glass panels with abstract shapes cut from the inside of each one are assembled and aligned vertically at precise intervals in relation to one another.
This article was originally published on page 40 of the May/June 2013 issue of Glass Art.