The Magazine for the Art Glass Industry
Jan/Feb 1999      Volume 18, Number 1 Cover TOC
March/April 1999      Volume 18, Number 2 Cover TOC
May/June 1999 Volume 18, Number 3 Cover TOC
July/August 1999 Volume 18, Number 4 Cover TOC
Sept/Oct 1999 Volume 18, Number 5 Cover TOC
Nov/Dec 1999 Volume 18, Number 6 Cover TOC

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    Back Issue

Combining Traditional Painting and Colored Glass
In this article, Peter McGrain details a more "primitive' method for accomplishing colored images in glass.

High-End Surface Etching: Part II
This is the second installment in Butch Young and Rita Long's three-part series on sophisticated surface etching.

Fire and Sand: A Pilgrimage to Glashütte Lamberts
During a visit, Sarah Hall interviewed Stephan Lamberts, the owner and president of Glashütte Lamberts, leading producer of antique mouth blown glass.
The Mystery of the Masterpiece:
Saving Annunciation Church and its Windows

With the investigative spirit of Father Dowling himself, members of the Annunciation Restoration and Preservation Committee, Denver, Colorado, have recently solved a few mysteries of their own, uncovering the history of their magnificent Church - its structure, its furnishings and primarily, its stained glass.

Mosaic: Drawing with Tesserae
Many modern-day artists have rejected traditional definitions of mosaic and have begun to use the techniques to suit individual projects.

Diamond Point Engraving (And the Use of Rotary Tools)
Royce Vann demonstrates how rotary tools are used to achieve a wide range of finishes.

Long Beach Explodes with Art Glass Excitement
Long Beach, California, was the place to be June 9 through 13, 1999, as buyers from the United States and around the world filled the International Art Glass Suppliers Trade Show.

1999-2000 Directory to Industry Supplies
This comprehensive Directory should be the source for everything you need to operate your business. 

Sunset Station Casino's Swinging Gaudi Bar
The spotlight attraction of the Gaudi Bar is the 6,000-square-foot stained glass ceiling that encompasses the 140-seat bar. Created by Savoy Studios in Portland, Oregon, this is one of the largest stained glass ceilings in the U.S.
 

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