The Magazine for the Art Glass Industry
Jan/Feb 1999      Volume 18, Number 1 Cover TOC
March/April 1999      Volume 18, Number 2 Cover TOC
May/June 1999 Volume 18, Number 3 Cover TOC
July/August 1999 Volume 18, Number 4 Cover TOC
Sept/Oct 1999 Volume 18, Number 5 Cover TOC
Nov/Dec 1999 Volume 18, Number 6 Cover TOC

       
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    Back Issue

 Wind's Eye Gallery
This issue the work of Robert Brown is featured. His glass painting creates an edgy, brooding quality reminiscent of some expressionist paintings, with figures and images appearing and disappearing amid a pensive atmosphere. His fused works portray a flowing, imaginative landscape that has a beautiful crystalline quality.
Catherine Rahn: Deep Glass
Catherine Rahn pours stars into the sea. She is among the first artists to seek entry into the ocean realm. In such a setting, everything the artist does is new, difficult, different, intoxicating. William Warmus writes about this extraordinary work.

Slumping Glass for Lighting Fixtures: Part V
Dan Fenton continues his series with information about slumping into a mold and drop slumps into air.

Getting Someone to Set You up in Business
Butch Young and Rita Long switch gears from "how-to" concerns of high-quality glass carving and etching, to the nuts and bolts of getting a paying job. In this article they demonstrate how, in a very short time, in a small space, and with minimal start-up costs, you can generate value-added product for a glass shop.

Understanding the Colors Of Dichroic Glass
Shirley Webster advises, the first step in understanding dichroic glass colors is to forget what you have previously learned about color and learn to see it in a different way.

Web Site Advice
Phillip Perry provides some basic guidance to using the internet for your business. Three areas of concern are taking credit card orders on your site, designing a good site using customer input and avoiding lawsuits for employee misuse of the internet.

The Care and Feeding of Committees
Glass artists Sarah Hall and Jeffrey Kraegel know that committees, while sometimes a challenge, are extremely important. They rep-resent those who will be commissioning, financing, and even-tually enjoying your artwork. This article highlights the best way to understand committees, listen to their concerns and build the trust and understanding necessary to keep a project moving ahead.
 

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